Ocmulgee National Monument

by Bob Hoelscher 2. April 2013 23:01


Visitor Center Archaeological Museum

Surely countless coaches originating from points throughout the Midwest and Ohio Valley make the trip south annually on I-75, en route to Florida’s renowned theme parks and cruise ports. Although some may make stops along the way, I would guess that few groups are aware of three interesting and free National Park Service units that are just a few miles off of the highway in Georgia. Ocmulgee National Monument lies just three miles east of I-75 Exit 165. 

Ocmulgee shelters some of America’s most impressive Indian mounds, which were home to people of the early Mississippian culture from roughly 900 to 1100. A film and significant archaeological museum in the visitor center describe the human habitation of the Southeast from 10,000 BCE to the early 1700s, with special emphasis on the Mississippian village site. 

A walking tour leads guests to the Earthlodge, dating from around 1000. The interior reconstruction approximates the original appearance of this, the oldest native ceremonial chamber in the country. Nearby are the Cornfield Mound, prehistoric trenches, the Greater and Lesser Temple Mounds, which were apparently topped originally by wooden structures likely used for religious ceremonials, and the Funeral Mound, where more than 100 burials have been uncovered. 

Staircases lead to the tops of both Temple Mounds, from which visitors experience panoramic views of the village site and the surrounding countryside. Near the Temple Mounds is also the location of an English trading post that was established about 1690 to trade with the numerous Creeks who had settled nearby.


Restored interior of Ocmulgee's Earth Lodge, America's oldest ceremonial chamber


Great Temple Mound


Walnut Creek Wetlands

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Traveling I-75 through Georgia

Trading at the Prairie's Edge

by Brian Jewell 20. September 2011 01:26

I once heard someone describe Rapid City, SD as "the place where the mountains meet the prairie." There's more to this place than the intersection of the Black Hills and the Great Plains, though — I'm finding that this region is also squarely in the middle of pioneer and Native American culture.

One of the best places to discover Native American heritage in Rapid City is Prairie Edge Trading Company and Galleries. Located in a historic building in the heart of downtown, this company preserves the tradition of the Indian trading post, while also presenting breathtaking fine art that communicates the Native American spirit.

When I first entered, the establishment seemed like a simple western-themed gift shop. But after exploring for a few minutes, I discovered the trading post area, where artists and others can still buy traditional materials such as buffalo hides, deer antlers, feathers and glass beads. Many area artisans come here to get their supplies for their fine art and tradition Indian crafts, many of which can be seen in the store's galleries.

Around the corner from the gift shop area, a large room holds hundreds of pieces of traditional Indian art, much of which featured intricate bead patterns and quillwork. Items range from dream catchers to spirit shirts, decorated bison skulls and woodcarvings. All of the artwork in the store is hand-made, much of it by artists who use traditional materials and techniques.

On a mezzanine overlooking this room, Prairie Edge displays what they bill as the world's largest collection of glass trading beads. Hundreds of jars of beads line the shelves of this exhibit, organized by color and glimmering like a glass rainbow beneath the display lights.

For me, the highlihgt of Praire's Edge was the fine art gallery on the top floor. This area features incredible museum-quality artwork depicting Native American themes and other images of the mountain Northwest. I was fascinated by a large, three-dimensional dioramama made entirely of sculpted paper; I also fell in love with ledger art, a style of painting taken up by tribesmen who used old business ledgers as a canvas once buffalo hides became scarce. The bold and colorful images seemed to leap off the page, contrasting against the straight lines and careful script of the ledgers. Like the rest of Prairie Edge and much of South Dakota, the artwork embodied the intermingling of white culture and Native American heritage.

 

Hand-made buffalo robe art featuring Native American materials and patterns.


Some of the thousands of glass trading beads on display at Prairie Edge.


An array of specialty beads prized by Indian artists.

 

 

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